Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (2020)
Despite lacking characterization and having an unoriginal plot, Birds of Prey is tons of fun thanks to some entertaining performances and well-shot action.
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Little Women (2019)
Despite a somewhat messy structure and lack of a central plot, Little Women is still a touching coming-of-age story about love, death, and family.
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Marriage Story (2019)
With two great lead performances, a realistic story concerning divorce, and solid writing, Marriage Story is one of 2019’s best films.
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Parasite (2019)
Weaving dark comedy with thriller elements, Parasite works as a satire about class warfare thanks to its great performances and masterful direction.
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Color Out of Space (2019)
With an incredible cast, fantastic direction, and breathtaking visuals, Color Out of Space is a welcome return for Richard Stanley.
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The Lighthouse (2019)
With two amazing performances, masterful direction, and an ever-present sense of dread, The Lighthouse once again shows what Robert Eggers is capable of.
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1917 (2019)
With masterful direction, great performances, impressive cinematography, and a simple but compelling story, 1917 is a technical achievement.
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Underwater (2020)
Though it suffers from a derivative plot, Underwater has a strong cast, quick pacing, and enough thrills to keep audiences engaged and entertained.
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The Irishman (2019)
Despite its long runtime and some parts that drag, The Irishman works thanks to some incredible performances, a riveting story, and masterful direction.
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Star Wars: Episode IX – The Rise of Skywalker (2019)
While it offers some fun spectacle, solid performances, and impressive visuals, Star Wars: Episode IX – The Rise of Skywalker is a disappointing finale.
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